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Second Rodeo EP

by Emily Breeze

/
1.
1997 03:38
Greasy hair and heavy metal Summer of 1997 We hung out in skate parks and cemeteries Spent our bus fare on 10 Embassy Downed warm white lightning Threw up Peach 2020 Bought cassette tapes and T shirts from HMV Explicit lyrics, parental advisory Yeah, we were raging against the machine We did it with our pocket money In a haze of hormones and Lynx Africa We taped the hits off of the radio Danced in dry ice at the indie disco Nobody knows where the time goes But me and you know, me and you know we know We were drop out kids We were skivers of school We were young and dumb and bullet proof I got a tribal tattoo Young and dumb and full of shit Young and dumb and full of shit What a beautiful thing What a beautiful thing We taped the hits off of the radio Danced in dry ice at the indie disco Nobody knows where the time goes But me and you know, me and you know we know John Hughes movies and MTV Said we could be anything we wanted to be Astronaut, lawyer, movie star, priest All you gotta do is believe in the dream Now we’re filling your spreadsheets And we’re sweeping your floors We’re teaching your children And we’re dangerously bored But everybodies feeling fine thanks to the medication Constant stimulation, endless entertainment Front row tickets for the alien invasion Porn for every kink before your morning meditation Daily affirmation, the times they are a changing The times they are a changing We taped the hits off of the radio Danced in dry ice at the indie disco Nobody knows where the time goes But me and you know, me and you know we know
2.
The Beatniks 03:00
The Beatniks believed we should excavate our dreams For some strange state of ecstasy It's in your pulse and your heartbeat and the way that you breathe It's in the myths that we make out of our memories It's in the rhythm of the city and the song of the streets The whispering trees to the flowers of the fields It's in the cycles of the moon and the sermon of the sea It's in the never ending march of technology From the flint to the wheel to the sentient machines Who are learning to paint and write poetry Its in the spirit that passess between you and me Some strange state of ecstasy Today on this one and only day That you and I will never live again Let's stay in bed and watch T.V And drift into eternity Cos I'm sick of being cynical for the first time in my life You know these days are getting darker And I've lived 15000 nights Having a beer with you is holy There's no such thing as wasted time So come on lay your hands upon me Trace the cables and the wires Cos 18000 gods believe, the scientists they all agree In some strange state of ecstasy, yeah some strange state of ecstasy You know, Patti Smith she sang to me, Leonard Cohen and Lou Reed About some strange state of ecstasy, some strange state of ecstasy Today on this one and only day That you and I will never live again Let's stay in bed and watch T.V, Let's stay in bed and watch T.V Let's stay in bed and watch T.V, Let's stay in bed and watch T.V Let's stay in bed and watch T.V, Let's stay in bed and watch T.V And drift into eternity
3.
Somewhere out there in the multiverse We are walking out into a wide open afternoon Laughing at the vast cosmic joke of it all All day long As we casually transcend The beginning and the end of one another We were lovers Falling in love with you felt like waking up To find out that work has been abolished And it is our civic duty to aimlessly indulge in animal pleasures All day long We didn't do one single thing Except drift between the latex thin skin of one another We were lovers Here I go again Over romanticizing everything Here I go again Spill my guts after a couple of drinks Here I go again Eventually we slipped into his and hers tepid baths Of mutual resentment Dug separate trenches and fired pot shots at each other All day long Our days were numbered, we rolled our eyes at one another We were lovers Here I go again Over romanticizing everything Here I go again Spill my guts after a couple of drinks I’m all singing all dancing, talk to anyone who'll listen To stop that Sunday night sadness, Sunday night sadness Sunday night sadness creeping in I’m all singing all dancing, talk to anyone who'll listen Here I go again, here I go again
4.
Graceland 06:20
The Mississippi Delta was shining like a national guitar I am following the river down the highway through the cradle of the civil war I'm going to Graceland, Graceland, Memphis, Tennessee I'm going to Graceland Poor boys and pilgrims with families And we are going to Graceland My traveling companion is nine years old He is the child of my first marriage But I've reason to believe we both will be received in Graceland She comes back to tell me she's gone As if I didn't know that As if I didn't know my own bed As if I'd never noticed the way she brushed her hair from her forehead And she said, "Losing love is like a window in your heart Everybody sees you're blown apart Everybody sees the wind blow" I'm going to Graceland, Memphis, Tennessee I'm going to Graceland Poor boys and pilgrims with families And we are going to Graceland And my traveling companions are ghosts and empty sockets I'm looking at ghosts and empties But I've reason to believe we all will be received in Graceland There is a girl in New York City who calls herself the human trampoline And sometimes when I'm falling, flying or tumbling in turmoil I say "Whoa, so this is what she means" She means we're bouncing in the Graceland And I see losing love is like a window in your heart Well, everybody sees you're blown apart Everybody feels the wind blow In Graceland, in Graceland I'm going to Graceland For reasons, I cannot explain There's some part of me wants to see Graceland And I may be obliged to defend every love, every ending Or maybe there's no obligations now Maybe I've a reason to believe we all will be received in Graceland Written by Paul Simon Published by Universal/Warner Chappell Music

about

“Oh I've got to play that!' I really had to share that with everyone” - Charlie Ashcroft, Amazing Radio

“This one I really like, it's just kind of really drew me in” - Amy Lame, BBC Radio 6 Music

“Always bringing the energy - James Threlfall, BBC Introducing In The West

“Reminds me of The Beautiful South” - Gwenno, BBC Radio 6 Music, Huw Stephen's Round Table

"I liked lots of moments in it. it felt like it was on this road, driving down a road and I was super interested" - Jordan Rakei BBC 6 Music

“An interesting piece of historic cultural excavation from Emily Breeze,” - Steve Lamacq, BBC 6 Music

“That might be one of my favourites! It's just channelling brilliance. - Mark McNally, Postcards From The Underground

“I love that something very special” - Lauren Laverne, BBC 6 Music

"Loved the way the sort of speaking voice just draws you in, you just wanna hear what she's saying" - Craig Charles, BBC 6 Music

“Absolutely blew me away” - John Kennedy, Radio X

“Some lovely pop-noir there, somewhere between Self Esteem and Dry cleaning” - Chris Hawkins, BBC 6 Music

“21st Century answer to Patti Smith, performing deeply personal poetry over grooving post-punk rock n roll” - Tom Robinson, 6 Music

“Emily Breeze IS talent..love her, she’s amazing” - Robert Carlyle (on Twitter)

SECOND RODEO is the follow-up to Emily’s 2023 album RAPTURE, a record which saw a breakthrough in Emily’s 20-year music career with further support at Radio X, Amazing Radio and BBC Introducing, XS Manchester and QBS Radio(Qatar).

SECOND RODEO contains more tales from a life well lived as a hopeless romantic, dreamer and degenerate, which range from depictions of the rituals and habits of teenagers in the late 90s in ‘1997’ to a Beatnik-inspired hymn delivered at breakneck speed in ‘The Beatniks’, to a multiverse-spanning tale of the cosmic life cycle of a relationship in ‘We Were Lovers’… to a fuzzed-out shoegaze cover of Paul's Simon’s iconic ‘Graceland.

credits

released April 19, 2024

Emily Breeze - Vocals/Rhythm Guitar
Rob Norbury - Lead guitar
Andy Sutor on Drums
Helen Stanley on Keyboards
George Caveney on Bass guitar

Recorded in Bristol at Robot Club and produced by Stew Jackson
with mastering by Steve Street.

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about

Sugar Shack Records Bristol, UK

Sugar Shack Records is a sister imprint of Bristol Archive Records and Reggae Archive Records. Established in 1985, we have released critically acclaimed Rock and Reggae albums.

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