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Rapture

by Emily Breeze

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  • Record/Vinyl + Digital Album

    Includes full colour inner sleeve with lyrics

    Includes unlimited streaming of Rapture via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 500 

      £21.60 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Comes with an 8 page full colour booklet with lyrics included

    Includes unlimited streaming of Rapture via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £11.99 GBP or more 

     

  • Record/Vinyl + Digital Album

    Vinyl and CD together

    Includes unlimited streaming of Rapture via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £29.60 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £8 GBP  or more

     

  • Full Digital Discography

    Get all 28 Sugar Shack Records releases available on Bandcamp and save 50%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Second Rodeo EP, 20th Anniversary Live @ The Fleece, Bristol, Rapture, Monkey, From The Vaults, About Time (Deluxe Edition), Rituals, The Best of Joshua to Jashwha 1978-2019, and 20 more. , and , .

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1.
Back then rent was cheap in the wrong parts of town You could walk into almost any place and get a cash in hand job I was a terrible waitress And an even worse singer But I didn't care, I just knew Something bigger, brighter, better was on its way Someone was gonna spot me walking down Stokes Croft and say Hey kid, I’m gonna make you a star And whisk me away into my glittering future Twenty years later, I’m still waiting But do you know what? There's nothing wrong with an ordinary life We had widescreen, high definition surround sound love affairs And low budget B movie one night stands Somehow it was always the end of the summer And we dragged ourselves through the streets at dawn To our days jobs and dole office appointments Fueled on weapons grade hope and uncut dreams And the days went by, and the days went by And the days went by like strobe lights There's nothing wrong with an ordinary life One day you will find yourself at a friends 40th birthday party Wondering how the days turned into decades and if anyone still does drugs And you will dance, dance off the minutes and the moments And magic and the misery and the miracles and monotony As you unfurl into infinity among the solar systems and galaxies A dopamine driven pinball machine studded with hair and nails and teeth Hard wired with desire and fear and dreams hosted by the ghost of a memory of a memory, of a memory, of a memory of a memory There's nothing wrong with an ordinary life
2.
The Bell 03:51
When we finish work lets go to the pub And talk about the weird old days And how much the world has changed Now, everybodys starting to look older All the dropouts, slackers and the stoners Have got gym memberships Do you remember that time we tripped And laughed as if our hearts would burst At every joke in the universe Look it’s pissing down outside And Amy has just arrived I’m only staying for a couple though Cos I’ve got work tommorow God I love these rock n roll tunes You just can’t beat rhythm and blues Makes Radiohead look like wannabees Ok, Ok, Ok Computer is a masterpiece But you know what I mean No one got famous and nobody got rich And I never married and I didnt have kids Oh look it’s Mike I haven't seen him for ages Yeah go on then just a half you know I can’t get wasted But the beer is cold and and the music is good And in this moment I feel understood Do you remember when my boots fell apart in the street We went to Primark and stole a bright red pair of stripper heels Staggered out like a budget Bonnie and Clyde Oh bloody hell would you look at the time Fuck it tommorows gonna be alright Fuck it tommorows gonna be alright Fuck it tommorows gonna be alright Yeah, I’m talking shit but you know what I mean I’m talking shit but you know how I feel Cos we’re full of ragged and warton hope Let's have another just one for the road We’re gonna make it I feel in my bones I’m just gonna go outside for a smoke No one got famous and nobody got rich And I never married and I didnt have kids I can’t even drive, sometimes I feel Like I’m quietly dying inside But not tonight
3.
Oh Anna Nicole, glamor, glory and gold Oh Anna Nicole, fried chicken and silicone Oh Anna Nicole, low Impulse control Oh Anna Nicole, that's the way the money goes Oh Anna Nicole, playboy centerfold Oh Anna Nicole, that’s the way the money goes Striptease me Squeeze me between your thighs You know just how to please me Everything can be monetised Shake it baby, shake it baby Striptease me, striptease me You know just how to please me You got the whole world hypnotized With your televised sacrifice Oh Anna Nicole, never getting old Oh Anna nicole, fatal overdose
4.
Dance with the cockroaches, dance with the rats Sing I will survive with a cane and top hat Dance with delusion, dance with the facts Play Don’t Stop Believing on a cherry red Strat Dance with your enemies, dance with your mates Dance with the sadness that comes on in waves Dance yourself normal, dance yourself strange Dance to the beat of your heart as it breaks Lonely, You don’t have to be Lonely, dance with me Dance with joy, anger, denial and grief To the end of days drums and the brand new start beat Dance in bare feet, dance in high heels Dance with the lies that you choose to believe Dance cos you dont know how long you have left Dance cos you're dammed and dance cos your blessed Dance if your sober, dance if your wrecked Dance with the truth that you have to accept Dance with the truth that you have to accept Dance with the truth that you have to accept Tomorrow we will fall dangerously in love with each other, ourselves and everything else. We will climb the network of filaments which scaffolds the entire universe. We will high five the aliens and receive a standing ovation from the angels as we dance in the random interplay of chemicals and electron impulses with the atoms that make us, and our planet, and our Sun, and all of the suns and the gas and dust in interstellar space. Dance with the truth that you have to accept Dance with the truth that you have to accept Dance with the truth that you have to accept
5.
Some fell at the first sign of trouble Haircuts and interviews followed How we laughed as they retreated into their salaries There but for the grace of god They can have my hands for a few pounds an hour I said But they'll never take my mind We danced and drank and talked and danced and drank And I threw my alarm clock out of the window Just to prove I truly the last of the great bohemians I was showing off Nothing glitters when your gone Your shirt and tie looked liked fancy dress You were so feral, we couldn't believe you'd fooled them But I was secretly impressed you'd got a proper job Besides it wasn't real, you were a spy And we'd use the money to buy motorbikes and run away Forever and ever and ever My dancing feet are weary My steps are twisted out of time Eternity under a strobe light As I drift through the dry ice Do you remember When we were running wild Nothing glitters when your gone The partys over baby But I'm never going home Wrap my arms around a stranger Nothing glitters when your gone The partys over baby The house lights have come on Wrap my arms around a stranger Nothing glitters when your gone
6.
Part Of Me 05:12
There wasn't a soul out on the street To witness the death of the American dream Elvis moved to the suburbs for a witness protection scheme Mickey mouse got all strung out on methamphetamine Beyonce wept to the Bo Diddley beat Dylan got swindled, now he knows how it feels Kanye went missing they found his clothes on the beach Britney lost the Whitehouse to the Manson family I was raised on your films, your songs and TV Every single every one is a part of me Revolutions play out on an endless live stream Watch the Star Spangled shit show on a million screens Nobody cheered and nobody cried The day the British Empire expired Sid vicious and Shakespeare made love in the soft candle light The Spice Girls were silent, The Kray twins had been gentrified Princess Dianna went undercover She works at Anne Summers, she wears a disguise Saville and Thatcher French kiss in the shower And cheer on the left wing infights The children of Eton were stripped of their feelings And trained to rip wings off of flies So sing Rule Britannia and smile for the camera As the you choke on the smoke from a burning high rise As the ash fills your lungs and your ears and your eyes And the sun burns out on this once sceptered isle I was raised in your schools, your fields and your streets Every single one is a part of me Revolutions play out on an endless live stream As we stay home and scroll on a million screens Every single one is a part of me, part of me, part of me
7.
Fifteen billion years of cosmic evolution And here you are Your birth is a one in four trillion chance You’re one of eight billion works on art Lying in bed on a far flung star Energy condescended to a slow vibration The universe expands in ecstatic motion The rain on the roof, the beat of your heart The vast enveloping infinite dark Lying in bed on a far flung star And the stars and screwing the sky tonight The buildings go down on the streets The concrete makes love to the cold dark dirt And whatever's underneath In a major breakthrough scientists have discovered That you are fabulous You are a fabulous pain in the arse The rain on the roof, the beat of your heart The vast enveloping infinite dark Lying in bed on a far flung star The stars and screwing the sky tonight The buildings go down on the streets The concrete makes love to the cold dark dirt And whatever's underneath The concrete makes love to the cold dark dirt And whatever's underneath
8.
Turn Me On 03:32
Smokers and drinkers are a dying breed All that Gen X nihilism is so last century But I need a grand piano to drape myself across A vodka Martini and some expensive American drugs Gonna go to Las Vegas and nail all of your money to a glittering cross Then I’ll seduce the pool boy while the ceramic tigers watch You turn me on, you piss me off You turn me on, you piss me off Come over to my place Put on a slow sad song Gonna screw my divorce lawyer in a stolen police car Gonna shake what god gave me down Sunset Boulevard Then I'll go day drinking with the faded sirens and the child stars Just don’t leave me here in England where it's raining and it's dark Gonna go to Las Vegas and nail all of your money to a glittering cross Then I’ll seduce the pool boy while the ceramic tigers watch You turn me on, you piss me off You turn me on, you piss me off Come over to my place Put on a slow sad song
9.
I’m slacking off, your cracking the whip But I’ve been through your bins For your magic Magic tricks I stole the strings of your voice Now you should hear me sing I’m rubbing one out, your easing one in My Chelsea Satanist Throw a seance in the suburbs with your wife and kids White noise, black magic hypnotist With your straight day job and your weekend kink Your cruising the cosmos, I’m lying in bed Your writing a novel, I’m surfing the web But I’m biding my time, you ain't seen nothing yet I was a copy of Razzle, now I’m the Book of the Dead The Book of the Dead My Chelsea Satanist Throw a seance in the suburbs with your wife and kids White noise, black magic hypnotist With your straight day job and your weekend kink Sing for me baby, just for my pleasure I do it good but you do it better
10.
Hey Kidz 03:08
Hey kidz, Don’t do what I did Or you'll never write a hit Razor sharp, amphetamine thin Zappa Beefheart and Bill Hicks Leather jacket, mirror shades Wake n Bake, navel gaze Waiting for a crowd to entertain Everyday’s a holiday Sign on, leave home Read the classics on the dole Don’t answer the door, don't answer the phone Be Bop A Lula, Bless my soul I hate rock n roll, I hate rock n roll, I hate rock n roll To all my tired out troubadours To all my middle aged matadors My rock n roll dinosaurs We left claw marks on every door Got washed up on this strange shore Nothing matters anymore Cos we’re leaving the spotlight And hitting the dancefloor Hey kidz Do exactly what I did Buy the ticket take the trip Climb aboard the mothership Never yawn or say a commonplace thing Whatever happened to the teenage dream The wildest hearts in history Join a band and start a scene Just don’t come crying to me I hate rock n roll, I hate rock n roll, I love rock n roll

about

EMILY BREEZE – ‘RAPTURE’
Released 10/2/23 via Sugar Shack Records

On Limited Edition Vinyl (500 copies), CD and Digital Download

“The UK’s 21st century answer to Patti Smith performing deeply personal lyrics over grooving post punk rock n roll” Tom Robinson, BBC 6 Music

‘Torch song tragedy, swathed in black humour’ - Mojo Magazine

‘A Trent Reznor/Lou Reed hybrid’ - NME

‘A triumph of glittering melancholy’ - Louder Than War

‘The love child of P.J Harvey and Johnny Cash’ - The Sunday Times

Bristol based pop noir artist Emily Breeze returns with new album ‘Rapture’. Written and recorded in her 40th year on planet earth, the songs are a poignant and humorous take on how it feels to grow old disgracefully in an increasingly weird world.

She describes the album as “a collection of coming-of (middle) age stories which celebrate flamboyant failure, excess and acceptance. “I was receiving advice from music industry types to try and hide my age as if it was a dirty secret like an S.T.D or a disgraced royal, so I decided to do the exact opposite”. This may have been a wise decision as single “Confessions Of An Ageing Party Girl'' received airplay from Lauren Laverne, Don Letts and Tom Robinson (BBC Radio 6) who commented “The UK’s 21st century answer to Patti Smith”.

Second single “Ordinary Life” spent four weeks on the BBC Radio 6 Playlist seeing multiple plays from Amy Lame, Chris Hawkins, Steve Lamaq and Craig Charles who described the song as “an anthem” and invited Emily to do an interview as a special guest on the show.

Emily has also found a fan in the A list actor Robert Carlyle who has shared both singles and commented “Emily Breeze IS talent...Love her”.

Cosmology is also a consistent theme which forms a backdrop to the everyday experiences (a day at work, a night in the pub) which take place as the universe unfurls into the great enveloping infinite dark. Many of the songs use cut up excerpts from Science articles and quotes from cosmologists such as Carl Sagan which are spliced with Emily's absurdist imagery “we will high five the aliens, we will receive a standing ovation from the angels.”

The album’s centrepiece “Part of Me” is a five-minute sprawling epic which takes on the alternative fates of the towering figures of the 21st century “Elvis moved to the suburbs for a witness protection scheme” and “Princess Diana went undercover; she works at Anne Summers she wears a disguise”.

These themes, images and ideas are beautifully illustrated through the talents of producer Stew Jackson (Massive Attack) and all-star band Rob Norbury (lead guitar), Andy Sutor (drums), Helen Stanley (keys/synth) and George Caveney (bass) who have collaborated with Emily to craft a cinematic pop noir fantasy which draws influence from Vintage Exotica, Patti Smith, Pulp and Leonard Cohen.

Emily released her first solo album “The Penny Arcade” in 2010 garnering critical acclaim including album of the year in Americana U.K and support from BBC Radio 6 which resulted in Emily being described as “The love child of P.J Harvey and Johnny Cash” in The Sunday Times followed by performances at Glastonbury Festival, a headline slot at Bristol Festival and U.K and European tour dates. Emily and long-term collaborator Rob Norbury then went on to form psychedelic post-punk band Candy Darling and released two double A-side seven-inch singles “Money” and “Going Straight” which were supported by BBC Intro, The NME and Louder Than War.

2019 saw the release of Emily’s second solo album “Rituals” produced by Stew Jackson (Massive Attack) which also received positive reviews in national press (Mojo, Irish Times) and airplay from BBC Intro, XFM and BBC Radio 6.

‘Rapture’ is released on the 10th of February 2023 on Limited Edition Vinyl (500 copies), CD and Digital Download and available in all good record stores worldwide distributed by Shellshock / Proper.

Links - linktr.ee/emilybreeze

ARTIST: Emily Breeze
TITLE: “Rapture”
RELEASE DATE: 10th February 2023
LABEL: Sugar Shack Records
DISTRIBUTION: Shellshock / Proper
GENRE: Indie Rock
CAT NO: FOD145V / FOD145CD
BARCODE: 5052571100219 / 505257120042

credits

released February 10, 2023

Tracks 1, 2, 6, 8, 9 written by Emily Breeze
Tracks 3, 4, 5, 7, 10 written by Emily Breeze and Rob Norbury

Rhythm guitar and vocals - Emily Breeze
Lead/rhythm guitar - Rob Norbury
Drums - Andy Sutor
Bass - Graham Dalzell
Keys/synth on tracks 1, 2, 4, 6, 9 - Helen Stanley
Keys/synth on tracks 3, 5, 8, 10 - Duncan Fleming
Backing vocals on track 6 Jenny Lindfors
Orchestral arrangement on track 6 Drew Morgan
Additional guitar, bass, synth, percussion, pedal steel and backing vocals on all tracks - Stew Jackson

Produced by Stew Jackson
Engineered by Joe Jones
Mastered by Pete Mahler
Recorded at Rockfield Studios

Cover image and design - Mishka Westell
Layout – Nick Darby
Portrait - Lil Beef

Thanks to Stew Jackson and Mike Darby

All tracks owned by Emily Breeze and exclusively licenced to Sugar Shack Records

All tracks copyright control 2022
(p) & © Sugar Shack Records 2023

Contact: mdarby@sugarshackrecords.co.uk
www.sugarshackrecords.co.uk

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Sugar Shack Records Bristol, UK

Sugar Shack Records is a sister imprint of Bristol Archive Records and Reggae Archive Records. Established in 1985, we have released critically acclaimed Rock and Reggae albums.

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