“Oh I've got to play that!' I really had to share that with everyone” - Charlie Ashcroft, Amazing Radio
“This one I really like, it's just kind of really drew me in” - Amy Lame, BBC Radio 6 Music
“Always bringing the energy - James Threlfall, BBC Introducing In The West
“Reminds me of The Beautiful South” - Gwenno, BBC Radio 6 Music, Huw Stephen's Round Table
"I liked lots of moments in it. it felt like it was on this road, driving down a road and I was super interested" - Jordan Rakei BBC 6 Music
“An interesting piece of historic cultural excavation from Emily Breeze,” - Steve Lamacq, BBC 6 Music
“That might be one of my favourites! It's just channelling brilliance. - Mark McNally, Postcards From The Underground
“I love that something very special” - Lauren Laverne, BBC 6 Music
"Loved the way the sort of speaking voice just draws you in, you just wanna hear what she's saying" - Craig Charles, BBC 6 Music
“Absolutely blew me away” - John Kennedy, Radio X
“Some lovely pop-noir there, somewhere between Self Esteem and Dry cleaning” - Chris Hawkins, BBC 6 Music
“21st Century answer to Patti Smith, performing deeply personal poetry over grooving post-punk rock n roll” - Tom Robinson, 6 Music
“Emily Breeze IS talent..love her, she’s amazing” - Robert Carlyle (on Twitter)
SECOND RODEO is the follow-up to Emily’s 2023 album RAPTURE, a record which saw a breakthrough in Emily’s 20-year music career with further support at Radio X, Amazing Radio and BBC Introducing, XS Manchester and QBS Radio(Qatar).
SECOND RODEO contains more tales from a life well lived as a hopeless romantic, dreamer and degenerate, which range from depictions of the rituals and habits of teenagers in the late 90s in ‘1997’ to a Beatnik-inspired hymn delivered at breakneck speed in ‘The Beatniks’, to a multiverse-spanning tale of the cosmic life cycle of a relationship in ‘We Were Lovers’… to a fuzzed-out shoegaze cover of Paul's Simon’s iconic ‘Graceland.
lyrics
Somewhere out there in the multiverse
We are walking out into a wide open afternoon
Laughing at the vast cosmic joke of it all
All day long
As we casually transcend
The beginning and the end of one another
We were lovers
Falling in love with you felt like waking up
To find out that work has been abolished
And it is our civic duty to aimlessly indulge in animal pleasures
All day long
We didn't do one single thing
Except drift between the latex thin skin of one another
We were lovers
Here I go again
Over romanticizing everything
Here I go again
Spill my guts after a couple of drinks
Here I go again
Eventually we slipped into his and hers tepid baths
Of mutual resentment
Dug separate trenches and fired pot shots at each other
All day long
Our days were numbered, we rolled our eyes at one another
We were lovers
Here I go again
Over romanticizing everything
Here I go again
Spill my guts after a couple of drinks
I’m all singing all dancing, talk to anyone who'll listen
To stop that Sunday night sadness, Sunday night sadness
Sunday night sadness creeping in
I’m all singing all dancing, talk to anyone who'll listen
Here I go again, here I go again
credits
from Second Rodeo EP,
released April 19, 2024
Emily Breeze - Vocals/Rhythm Guitar
Rob Norbury - lead guitar
Andy Sutor on Drums
Helen Stanley on keyboards
George Caveney on bass guitar
Recorded in Bristol at Robot Club and produced by Stew Jackson
with mastering by Steve Street.
Sugar Shack Records is a sister imprint of Bristol Archive Records and Reggae Archive Records. Established in 1985, we have released critically acclaimed Rock and Reggae albums.
Before every vacation, I face the challenge of finding fresh music that is dynamic but not too hard, and that is so emotional and catchy that it doesn't get on my nerves after just two days of touring. During that search I discovered OBEY ROBOTS and it took me only a few moments to put "One in a thousand" on the playlist. The album rocks, combines strong "Therapy?"-like guitars with Laura's soulful, distinctive vocals to quite a few hits, just check "One of these days" or "Next Summer"! H.L.
Discovered She makes war from the Songwriter's suite podcast. Been listening for weeks daily on Spotify at work, so had to buy th cd.
Beautifully sung, catchy and melodic. At the moment, this is looking like my favourite album of 2016 Christopher Rollason